Paint and performative art are inherently gestural making it almost impossible to separate the artist from the subject matter. Picasso's piece Guernica may have been a direct response to the horror of the bombing of a town during the Spanish civil war yet the artist himself is often a central consideration when interpreting the paintings narrative. This might be down to the paintings imagery (the bull, often thought to represent the artist himself as well as a visual metaphor for the Spanish people) or even simply and for me far more likely, that you can see the artists hand within the work. Andy Warhol may have seemed like a hideous self publicist, but the automated nature of his own practice allowed him to stimulate a far more interesting conversation about the nature of celebrity the replacement of image over authenticity and the artist relationship to his own work then, in my opinion, Lichtenstein was able to in his paintings.
Overall I'm reasonably pleased with the piece and I only wish I'd had more time to look into and develop the work and the ideas behind it further.
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